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	<title>Waka kuhon Archives &#8226; . A History . . of Japan . 日本歴史</title>
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	<title>Waka kuhon Archives &#8226; . A History . . of Japan . 日本歴史</title>
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		<title>Mibu no Tadamine</title>
		<link>https://historyofjapan.co.uk/wiki/mibu-no-tadamine/</link>
		
		<dc:creator><![CDATA[Eli]]></dc:creator>
		<pubDate>Tue, 15 Oct 2024 05:33:31 +0000</pubDate>
				<guid isPermaLink="false">https://historyofjapan.co.uk/?post_type=yada_wiki&#038;p=44291</guid>

					<description><![CDATA[<p>Period: Heian Period Occupation: Waka Poet Family: Mibu no Tadami (son) Birth: fl.893-920 Death: &#8211; Mibu no Tadamine Mibu no Tadamine (壬生忠岑) was a Heian poet who flourished between 893 and 920AD. He was the father of Mibu no Tadami and acted as one of the four compilers of the Kokinshū. We can find 82 [&#8230;]</p>
<p>The post <a href="https://historyofjapan.co.uk/wiki/mibu-no-tadamine/">Mibu no Tadamine</a> appeared first on <a href="https://historyofjapan.co.uk">. A History . . of Japan . 日本歴史</a>.</p>
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										<content:encoded><![CDATA[<figure id="attachment_44295" aria-describedby="caption-attachment-44295" style="width: 300px" class="wp-caption alignright"><a href="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2024/10/Mibu-no-Tadamine.jpg?ssl=1"><img data-recalc-dims="1" fetchpriority="high" decoding="async" class="wp-image-44295" src="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2024/10/Mibu-no-Tadamine.jpg?resize=300%2C436&#038;ssl=1" alt="Mibu no Tadamine" width="300" height="436" srcset="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2024/10/Mibu-no-Tadamine.jpg?w=800&amp;ssl=1 800w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2024/10/Mibu-no-Tadamine.jpg?resize=207%2C300&amp;ssl=1 207w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2024/10/Mibu-no-Tadamine.jpg?resize=706%2C1024&amp;ssl=1 706w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2024/10/Mibu-no-Tadamine.jpg?resize=768%2C1115&amp;ssl=1 768w" sizes="(max-width: 300px) 100vw, 300px" /></a><figcaption id="caption-attachment-44295" class="wp-caption-text">Mibu no Tadamine by <a href="https://historyofjapan.co.uk/wiki/kikuchi-yosai" class="broken_link">Kikuchi Yōsai</a></figcaption></figure>
<ul>
<li style="list-style-type: none;">
<ul>
<li>Period: <a href="https://historyofjapan.co.uk/wiki/heian-period" class="broken_link">Heian Period</a></li>
<li>Occupation: <a href="https://historyofjapan.co.uk/wiki/waka">Waka Poet</a></li>
<li>Family: <a href="https://historyofjapan.co.uk/wiki/mibu-no-tadami">Mibu no Tadami</a> (son)</li>
<li>Birth: fl.893-920</li>
<li>Death: &#8211;</li>
</ul>
</li>
</ul>
<h3>Mibu no Tadamine</h3>
<p><strong>Mibu no Tadamine</strong> (壬生忠岑) was a <a href="https://historyofjapan.co.uk/wiki/heian-period" class="broken_link">Heian</a> poet who flourished between 893 and 920AD. He was the father of <a href="https://historyofjapan.co.uk/wiki/mibu-no-tadami">Mibu no Tadami</a> and acted as one of the four compilers of the <a href="https://historyofjapan.co.uk/wiki/kokinshu" class="broken_link"><em>Kokinshū</em></a>.</p>
<p>We can find 82 of his poems in the <a href="https://historyofjapan.co.uk/wiki/imperial-anthologies" class="broken_link">Imperial Anthologies</a>, 35 of them coming from the <em>Kokinshū. </em>He also had a <a href="https://historyofjapan.co.uk/wiki/personal-poetry-collections/">personal collection</a> of poems.</p>
<p>Even after his death his poetry was held in high regard, with <a href="https://historyofjapan.co.uk/wiki/fujiwara-no-kinto/">Kintō</a> placing one of his poems in the highest level of his <a href="https://historyofjapan.co.uk/wiki/waka-kuhon" class="broken_link"><em>waka kuhon </em></a>(Nine Levels of waka) alongside <a href="https://historyofjapan.co.uk/wiki/kakinomoto-no-hitomaro" class="broken_link">K<span class="NormalTextRun SCXO257554698 BCX0">akinomoto no Hitomaro</span></a><span class="FindHit SCXO257554698 BCX0">.</span></p>
<p>One of his poems (No.30) can be found in the <em><a href="https://historyofjapan.co.uk/wiki/ogura-hyakunin-isshu" class="broken_link">ogura hyakunin isshu</a> </em>and goes as follows:<a title="Macmillan, P." href="#footnote"><sup>1</sup></a><br />

<table id="tablepress-273" class="tablepress tablepress-id-273">
<thead>
<tr class="row-1">
	<th class="column-1">Japanese text<a title="Suzuki, H." href="#footnote"><sup>2</sup></a><br />
</th><th class="column-2">Romanized Japanese<a title="Macmillan, P." href="#footnote"><sup>1</sup></a><br />
</th><th class="column-3">English translation<a title="Macmillan, P." href="#footnote"><sup>1</sup></a><br />
</th>
</tr>
</thead>
<tbody class="row-striping row-hover">
<tr class="row-2">
	<td class="column-1">有明の<br />
つれなくみえし<br />
別れより<br />
暁ばかり<br />
うきものはなし</td><td class="column-2">Ariake no<br />
tsurenaku mieshi<br />
wakare yori<br />
akatsuki bakari<br />
uki mono wa nashi</td><td class="column-3">How cold the face<br />
of the morning moon!<br />
Since we parted<br />
nothing is so miserable<br />
as the approaching dawn.</td>
</tr>
</tbody>
</table>
<!-- #tablepress-273 from cache --></p>
<h3 id="footnote">Gallery</h3>
<figure id="attachment_44296" aria-describedby="caption-attachment-44296" style="width: 301px" class="wp-caption alignleft"><a href="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2024/10/Mibu-no-Tadamine1.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" class="wp-image-44296" src="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2024/10/Mibu-no-Tadamine1.jpg?resize=301%2C428&#038;ssl=1" alt="Mibu no Tadamine" width="301" height="428" srcset="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2024/10/Mibu-no-Tadamine1.jpg?w=450&amp;ssl=1 450w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2024/10/Mibu-no-Tadamine1.jpg?resize=211%2C300&amp;ssl=1 211w" sizes="(max-width: 301px) 100vw, 301px" /></a><figcaption id="caption-attachment-44296" class="wp-caption-text">Art by <a href="https://historyofjapan.co.uk/wiki/kano-yasunobu" class="broken_link">Kanō Yasunobu</a>.</figcaption></figure>
<h3>Footnotes</h3>
<p>1. MacMillan, P. (2018) &#8221;One Hundred Poets, One Poem Each: A Treasury of Classical Japanese Verse&#8221;. St. Ives: Penguin Classics.<br />
2. Suzuki, H. et al. (1997) &#8221;Genshoku: Ogura Hyakunin Isshu&#8221;. Tokyo: Bun&#8217;eidō.<br />

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<p>The post <a href="https://historyofjapan.co.uk/wiki/mibu-no-tadamine/">Mibu no Tadamine</a> appeared first on <a href="https://historyofjapan.co.uk">. A History . . of Japan . 日本歴史</a>.</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">44291</post-id>	</item>
		<item>
		<title>Fujiwara no Kintō</title>
		<link>https://historyofjapan.co.uk/wiki/fujiwara-no-kinto/</link>
		
		<dc:creator><![CDATA[Eli]]></dc:creator>
		<pubDate>Sun, 28 Nov 2021 15:36:41 +0000</pubDate>
				<guid isPermaLink="false">https://historyofjapan.co.uk/?post_type=yada_wiki&#038;p=28420</guid>

					<description><![CDATA[<p>&#160; Period: Heian Period Occupation: Poet, Caligrapher, Statesman. Family: Fujiwara no Yoritada (father) Fujiwara no Sadayori (son) Fujiwara no Teishi (sister) Fujiwara no Junshi (sister) Birth: 966AD Death: 1041AD Fujiwara no Kintō Fujiwara no Kintō (藤原 公任) was a renowned member of the Fujiwara Clan living from 966-1041AD.12 He was the son of Fujiwara no [&#8230;]</p>
<p>The post <a href="https://historyofjapan.co.uk/wiki/fujiwara-no-kinto/">Fujiwara no Kintō</a> appeared first on <a href="https://historyofjapan.co.uk">. A History . . of Japan . 日本歴史</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<figure id="attachment_28452" aria-describedby="caption-attachment-28452" style="width: 300px" class="wp-caption alignright"><img data-recalc-dims="1" decoding="async" class="wp-image-28452" src="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2021/11/Fujiwara-Kinto.jpg?resize=300%2C521&#038;ssl=1" alt="Fujiwara no Kintō" width="300" height="521" srcset="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2021/11/Fujiwara-Kinto.jpg?w=917&amp;ssl=1 917w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2021/11/Fujiwara-Kinto.jpg?resize=173%2C300&amp;ssl=1 173w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2021/11/Fujiwara-Kinto.jpg?resize=590%2C1024&amp;ssl=1 590w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2021/11/Fujiwara-Kinto.jpg?resize=768%2C1332&amp;ssl=1 768w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2021/11/Fujiwara-Kinto.jpg?resize=885%2C1536&amp;ssl=1 885w" sizes="(max-width: 300px) 100vw, 300px" /><figcaption id="caption-attachment-28452" class="wp-caption-text">Fujiwara no Kintō by <a href="https://historyofjapan.co.uk/wiki/kikuchi-yosai" class="broken_link">Kikuchi Yōsai</a></figcaption></figure>
<ul>
<li style="list-style-type: none;">
<ul>
<li>Period: <a class="broken_link" href="https://historyofjapan.co.uk/wiki/heian-period">Heian Period</a></li>
<li>Occupation: <a href="https://historyofjapan.co.uk/wiki/poets/">Poet</a>, <a href="https://historyofjapan.co.uk/wiki/caligraphy" class="broken_link">Caligrapher</a>, Statesman.</li>
<li>Family: <a href="https://historyofjapan.co.uk/wiki/fujiwara-no-yoritada">Fujiwara no Yoritada</a> (father) <a href="https://historyofjapan.co.uk/wiki/fujiwara-no-sadayori/">Fujiwara no Sadayori</a> (son) <a href="https://historyofjapan.co.uk/wiki/fujiwara-no-teishi/">Fujiwara no Teishi</a> (sister) <a href="https://historyofjapan.co.uk/wiki/fujiwara-no-junshi/">Fujiwara no Junshi</a> (sister)</li>
<li>Birth: 966AD</li>
<li>Death: 1041AD</li>
</ul>
</li>
</ul>
<h3>Fujiwara no Kintō</h3>
<p><strong>Fujiwara no Kintō </strong>(<span lang="ja" title="Japanese-language text">藤原 公任</span>) was a renowned member of the <a href="https://historyofjapan.co.uk/wiki/fujiwara-clan/">Fujiwara Clan</a> living from 966-1041AD.<a title="Louis Frederick" href="#footnote"><sup>1</sup></a><a title="Kodansha" href="#footnote"><sup>2</sup></a> He was the son of <a href="https://historyofjapan.co.uk/wiki/fujiwara-no-yoritada">Fujiwara no Yoritada</a><a title="Louis Frederick" href="#footnote"><sup>1</sup></a><a title="Kodansha" href="#footnote"><sup>2</sup></a> and had a son by the name of <a href="https://historyofjapan.co.uk/wiki/fujiwara-no-sadayori/">Sadayori</a>.<a title="Macmillan, P." href="#footnote"><sup>3</sup></a> He was also known in his lifetime as <strong>Shijō Dainagon</strong>.<a title="Louis Frederick" href="#footnote"><sup>1</sup></a></p>
<p>During his life his was a stateman and poet<a title="Louis Frederick" href="#footnote"><sup>1</sup></a> and also held the position of <a href="https://historyofjapan.co.uk/wiki/office-of-major-counsellor" class="broken_link">Office of Major Counsellor</a>.<a title="Macmillan, P." href="#footnote"><sup>3</sup></a> He was also renowned for his calligraphy and as a musician.<a title="Louis Frederick" href="#footnote"><sup>1</sup></a></p>
<p>Later in his life, after the death of his daughter, he enters religion and left <a href="https://historyofjapan.co.uk/wiki/kyoto" class="broken_link">Kyoto</a> to the north to live in a valley. His home then became a &#8216;mecca&#8217; for the best poets and minds of the time and they defered to him in poetic matters.<a title="Macmillan, P." href="#footnote"><sup>3</sup></a></p>
<p>His life is connected with many forms of literature. He is seen mentioned in the books of <a href="https://historyofjapan.co.uk/wiki/murasaki-shikibu" class="broken_link">Murasaki Shikibu</a> and <a href="https://historyofjapan.co.uk/wiki/sei-shonagon" class="broken_link">Sei Shonagon</a>, as well as the <em><a href="https://historyofjapan.co.uk/wiki/eiga-monogatari" class="broken_link">Eiga Monogatari</a>, <a href="https://historyofjapan.co.uk/wiki/konjaku-monogatari-shu/">Konjaku Monogatari</a></em> and <a href="https://historyofjapan.co.uk/wiki/okagami" class="broken_link"><em>Ōkagami</em></a>. Additionally more than 100 of his poems can be found in <a href="https://historyofjapan.co.uk/wiki/imperial-anthologies" class="broken_link">Imperial Anthologies</a>.<a title="Louis Frederick" href="#footnote"><sup>1</sup></a><a title="Kodansha" href="#footnote"><sup>2</sup></a></p>
<figure id="attachment_28451" aria-describedby="caption-attachment-28451" style="width: 351px" class="wp-caption alignright"><img data-recalc-dims="1" decoding="async" class="wp-image-28451 " src="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2021/11/Poems-from-Wakan-roeishu.jpg?resize=351%2C127&#038;ssl=1" alt="Wakan rōeishū" width="351" height="127" srcset="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2021/11/Poems-from-Wakan-roeishu.jpg?w=1523&amp;ssl=1 1523w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2021/11/Poems-from-Wakan-roeishu.jpg?resize=300%2C109&amp;ssl=1 300w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2021/11/Poems-from-Wakan-roeishu.jpg?resize=1024%2C371&amp;ssl=1 1024w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2021/11/Poems-from-Wakan-roeishu.jpg?resize=768%2C278&amp;ssl=1 768w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2021/11/Poems-from-Wakan-roeishu.jpg?w=1280&amp;ssl=1 1280w" sizes="(max-width: 351px) 100vw, 351px" /><figcaption id="caption-attachment-28451" class="wp-caption-text">Poems from the Wakan rōeishū.</figcaption></figure>
<p>One his most famous compilations was his list of the <a href="https://historyofjapan.co.uk/wiki/thirty-six-poetic-geniuses/">Thirty Six Poetic Geniuses</a>,<a title="Louis Frederick" href="#footnote"><sup>1</sup></a><a title="Kodansha" href="#footnote"><sup>2</sup></a><a title="Macmillan, P." href="#footnote"><sup>3</sup></a> with other publications fully, or partly by him being entitled:</p>
<ul>
<li><a href="https://historyofjapan.co.uk/wiki/kintoshu"><em>Kintōshū</em></a>, his personal poetry collection containing 385 poems.<a title="Louis Frederick" href="#footnote"><sup>1</sup></a><a title="Kodansha" href="#footnote"><sup>2</sup></a></li>
<li><a href="https://historyofjapan.co.uk/wiki/nyoihoshu" class="broken_link"><em>Nyoihōshū</em></a>, &#8216;Collection of Buddhist Teasures,&#8217; containing 775 poems.<a title="Louis Frederick" href="#footnote"><sup>1</sup></a></li>
<li><a href="https://historyofjapan.co.uk/wiki/waka-kuhon" class="broken_link"><em>Waka kuhon</em></a>, &#8216;Levels of Excellence in Waka,&#8217; a poetry treatise classifying poems in order of preference.<a title="Louis Frederick" href="#footnote"><sup>1</sup></a></li>
<li><em><a href="https://historyofjapan.co.uk/wiki/shinsen-zuino" class="broken_link">Shinsen zuinō</a>,</em> &#8216;The Essence of Poetry, Newly Selected,&#8217; anthology setting forth his ideals of &#8216;deep feelings, beauty of effect, and an engaging touch of novelty in conception.&#8217;<a title="Kodansha" href="#footnote"><sup>2</sup></a></li>
<li><em><a href="https://historyofjapan.co.uk/wiki/shuishu">Shūi waka-shū</a>, </em>20 scrolls poetry expansion of the earlier <em><a href="https://historyofjapan.co.uk/wiki/shuisho" class="broken_link">Shuishō</a>.</em><a title="Louis Frederick" href="#footnote"><sup>1</sup></a><a title="Kodansha" href="#footnote"><sup>2</sup></a></li>
<li><em><a href="https://historyofjapan.co.uk/wiki/wakan-roeishu">Wakan rōeishū</a>, &#8216;</em>Collection of Japanese and Chinese Songs for Singing.&#8217; which includes 216 Japanese poems and 587 Chinese couplets.<a title="Louis Frederick" href="#footnote"><sup>1</sup></a><a title="Kodansha" href="#footnote"><sup>2</sup></a> He was the sole editor of this.<a title="Macmillan, P." href="#footnote"><sup>3</sup></a></li>
</ul>
<p>One of his poems was included in the <a href="https://historyofjapan.co.uk/wiki/ogura-hyakunin-isshu" class="broken_link"><em>Ogura Hyakunin Isshu</em></a> (No. 55) and goes as follows:</p>

<table id="tablepress-190" class="tablepress tablepress-id-190">
<thead>
<tr class="row-1">
	<th class="column-1">Japanese text<a title="Suzuki, H." href="#footnote"><sup>5</sup></a><br />
</th><th class="column-2">Romanized Japanese<a title="Macmillan, P." href="#footnote"><sup>1</sup></a><br />
</th><th class="column-3">English translation<br />
</th>
</tr>
</thead>
<tbody class="row-striping row-hover">
<tr class="row-2">
	<td class="column-1">滝の音は<br />
絶えて久しく<br />
なりぬれど<br />
名こそ流れて<br />
なほ聞えけれ </td><td class="column-2">Taki no oto wa<br />
Taete hisashiku<br />
Narinuredo<br />
Na koso nagarete<br />
Nao kikoe kere</td><td class="column-3">The waterfall dried up<br />
in the distant past<br />
and makes not a sound,<br />
But its fame flows on and on -<br />
And echoes still today.<a title="Macmillan, P." href="#footnote"><sup>1</sup></a><br />
<br />
The waterfall's sound<br />
Faded into nothingness<br />
A long time ago-<br />
But its name has come down<br />
Still to be heard today<a title="Carter, S.D" href="#footnote"><sup>4</sup></a> </td>
</tr>
</tbody>
</table>

<p>It is said it was written when a group of courtiers visited an old waterfall.</p>
<p>The first line of the version from the <em>Shuishū reads: </em>taki no ito wa &#8216;the waterfall&#8217;s thread.&#8217;<a title="Carter, S.D" href="#footnote"><sup>4</sup></a></p>
<h3>Footnotes</h3>
<p>1. Louis Frederic, translated by Kathe Roth (2002) &#8220;Japan Encyclopedia&#8221;. London: Harvard University Press.<br />
2. Kodansha. (1993) &#8221;Japan: An Illustrated Encyclopedia&#8221;. Tokyo: Kodansha Ltd.<br />
3. MacMillan, P. (2018) ”One Hundred Poets, One Poem Each: A Treasury of Classical Japanese Verse”. St. Ives: Penguin Classics.<br />
4. Carter, S.D. (1991) &#8220;Traditional Japanese Poetry: An Anthology.&#8221; California, Stanford University Press.<br />
5. Suzuki, H. et al. (1997) ”Genshoku: Ogura Hyakunin Isshu”. Tokyo: Bun’eidō.<br />

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