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	<title>Kensho Archives &#8226; . A History . . of Japan . 日本歴史</title>
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		<title>Man’yōshū</title>
		<link>https://historyofjapan.co.uk/wiki/manyoshu/</link>
		
		<dc:creator><![CDATA[Eli]]></dc:creator>
		<pubDate>Sun, 08 May 2022 10:53:09 +0000</pubDate>
				<guid isPermaLink="false">https://historyofjapan.co.uk/?post_type=yada_wiki&#038;p=30396</guid>

					<description><![CDATA[<p>Man’yōshū The Man’yōshū (万葉集) is an important literary collection of Japanese poetry. Surviving Examples The oldest surviving example of this document is known as the katsura-bon (桂本) which dates to the mid-Heian period.1 Compilation It is generally unknown how the entire piece was compiled, though the Japanese at this time would have been familiar with [&#8230;]</p>
<p>The post <a href="https://historyofjapan.co.uk/wiki/manyoshu/">Man’yōshū</a> appeared first on <a href="https://historyofjapan.co.uk">. A History . . of Japan . 日本歴史</a>.</p>
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										<content:encoded><![CDATA[<p><img data-recalc-dims="1" decoding="async" class="alignright wp-image-28544" src="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2021/12/Literature.png?resize=100%2C100&#038;ssl=1" alt="Man’yōshū" width="100" height="100" srcset="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2021/12/Literature.png?resize=150%2C150&amp;ssl=1 150w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2021/12/Literature.png?resize=300%2C300&amp;ssl=1 300w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2021/12/Literature.png?w=512&amp;ssl=1 512w" sizes="(max-width: 100px) 100vw, 100px" /></p>
<h3>Man’yōshū</h3>
<p>The <strong>Man’yōshū</strong> (<span title="Japanese-language text"><span lang="ja">万葉集</span></span>) is an important <a href="https://historyofjapan.co.uk/wiki/literature/">literary collection</a> of Japanese poetry.</p>
<h3>Surviving Examples</h3>
<p>The oldest surviving example of this document is known as the <strong><em>katsura-bon </em></strong>(桂本) which dates to the mid-<a href="https://historyofjapan.co.uk/wiki/heian-period" class="broken_link">Heian period</a>.<a title="Miller, R. A." href="#footnote"><sup>1</sup></a></p>
<h3>Compilation</h3>
<figure id="attachment_30409" aria-describedby="caption-attachment-30409" style="width: 300px" class="wp-caption alignright"><img data-recalc-dims="1" fetchpriority="high" decoding="async" class="wp-image-30409 size-medium" src="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2022/05/Manyoshu.jpg?resize=300%2C225&#038;ssl=1" alt="Man’yōshū" width="300" height="225" srcset="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2022/05/Manyoshu.jpg?resize=300%2C225&amp;ssl=1 300w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2022/05/Manyoshu.jpg?resize=1024%2C768&amp;ssl=1 1024w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2022/05/Manyoshu.jpg?resize=768%2C576&amp;ssl=1 768w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2022/05/Manyoshu.jpg?w=1333&amp;ssl=1 1333w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2022/05/Manyoshu.jpg?w=1280&amp;ssl=1 1280w" sizes="(max-width: 300px) 100vw, 300px" /><figcaption id="caption-attachment-30409" class="wp-caption-text">A page from the Man&#8217;yōshū.</figcaption></figure>
<p>It is generally unknown how the entire piece was compiled, though the Japanese at this time would have been familiar with Chinese poetic compilations such as the <a href="https://en.wikipedia.org/wiki/Wen_Xuan"><em>wen shuan</em></a> as well as <a href="https://en.wikipedia.org/wiki/Tang_dynasty">Tang Dynasty</a> collections.</p>
<p>However, the consensus is that it was compiled over a rather long period by five/six or as many as ten people in its intial state. A lead role taken in the compilation was by <a href="https://historyofjapan.co.uk/wiki/otomo-no-yakamochi/">Ōtomo no Yakamochi</a>. He provided his own poetry for the piece, but also provided access to the <a href="https://historyofjapan.co.uk/wiki/otomo-clan" class="broken_link">Ōtomo Clan</a> poetic compilations as well as related documents and sources.<a title="Miller, R. A." href="#footnote"><sup>1</sup></a></p>
<p><a href="https://historyofjapan.co.uk/wiki/onakatomi-no-yoshinobu/">Ōnakatomi no Yoshinobu</a> is known to have took part in transcribing the document.<em><a title="Kodansha" href="#footnote"><sup>2</sup></a></em></p>
<p>It appears to us that an earlier version of this initial version existed (an <em>ur-man’yōshū) </em>as we know one was submitted into the court archives sometime between the years 759-771 (<a href="https://historyofjapan.co.uk/wiki/nara-period" class="broken_link">Nara Period</a>), with its final first iteration happening some time after 771.</p>
<p>Other references state the use of &#8216;paste and scissors&#8217; (<em>nori to hasami)</em> were used in the compilation, though it perhaps should not be taken literally.</p>
<p>We can also see that the piece also underwent later revisions, though people believe it was undertaken by unqualified scholars as we can see orthographic and textual blunders in the revised copies.</p>
<p>The compilation of the <em>man’yōshū </em>also preserves the names of earlier japanese poetic compilations, these being the <a href="https://historyofjapan.co.uk/wiki/ruiju-karin" class="broken_link"><em>Ruijū Karin</em></a> (類聚歌林 &#8211; Forest of Classified Verses), several texts called the <a href="https://historyofjapan.co.uk/wiki/kokashu" class="broken_link"><em>kokashū </em></a>(古歌集 &#8211; Collections of Antique Poems), as well as at least four family or individual anthologies known as <a href="https://historyofjapan.co.uk/wiki/kashu" class="broken_link"><em>kashū </em></a>(家集) belonging to <a href="https://historyofjapan.co.uk/wiki/hitomaro" class="broken_link">Hitomaro</a>, <a href="https://historyofjapan.co.uk/wiki/kanamura" class="broken_link">Kanamura</a>, <a href="https://historyofjapan.co.uk/wiki/mushimaro" class="broken_link">Mushimaro</a> and <a href="https://historyofjapan.co.uk/wiki/sakimaro" class="broken_link">Sakimaro</a>.<a title="Miller, R. A." href="#footnote"><sup>1</sup></a></p>
<p>Additionally, many poems found in the <em>man’yōshū</em> were created during the reign of <a href="https://historyofjapan.co.uk/wiki/empress-jito/">Empress Jitō</a> and it is thought that perhaps the idea of compiling waka together in what would later become the <em>man’yōshū</em> was thought up during her reign.<a title="Macmillan, P." href="#footnote"><sup>3</sup></a></p>
<h3>Poets</h3>
<ul>
<li style="list-style-type: none;">
<ul>
<li style="list-style-type: none;">
<ul>
<li><em>See also: <a href="https://historyofjapan.co.uk/wiki/list-of-manyoshu-poets">List of man’yōshū poets</a>.</em></li>
</ul>
</li>
</ul>
</li>
</ul>
<p>There are many people included within the books of the <em>man’yōshū</em>, included <a href="https://historyofjapan.co.uk/wiki/emperor/">Emperors</a> and Empresses.</p>
<p>Ōtomo no Yakamochi has the largest number of poems in the books, totalling 479. 46 <a class="broken_link" href="https://historyofjapan.co.uk/wiki/choka">choka</a>, 431 <a class="broken_link" href="https://historyofjapan.co.uk/wiki/tanka">tanka</a> and 1 in <a class="broken_link" href="https://historyofjapan.co.uk/wiki/kanshi">kanshi</a> (Chinese).<a title="Macmillan, P." href="#footnote"><sup>3</sup></a></p>
<p>The woman with the largest collection of poems is <a href="https://historyofjapan.co.uk/wiki/sakanoue-no-iratsume/">Sakanoue no Iratsume</a> with 77 tanka, 6 choka and 1 <a class="broken_link" href="https://historyofjapan.co.uk/wiki/sedoka">sedōka</a>.<a title="Louis Frederick" href="#footnote"><sup>4</sup></a></p>
<p>Some poets who made smaller poetic sequences found their poems included in this document, however, their poems were broken up and scattered throughout. A good example of this being <a href="https://historyofjapan.co.uk/wiki/priest-manzei/">Priest Manzei</a> whose <a href="https://historyofjapan.co.uk/wiki/priest-manzei-poems" class="broken_link">seven poems</a> were placed in Books 3, 4 and 5.<a title="Miller, R. A." href="#footnote"><sup>1</sup></a></p>
<h3>Commentaries/Critiques</h3>
<p>Several commentaries and critiques have been written about the <em>man’yōshū.</em></p>
<p><a href="https://historyofjapan.co.uk/wiki/kensho/">Kenshō</a><a title="Kodansha" href="#footnote"><sup>2</sup></a><a title="Macmillan, P." href="#footnote"><sup>3</sup></a> compiled a commentary.</p>
<p><a href="https://historyofjapan.co.uk/wiki/kiyohara-no-motosuke/">Kiyohara no Motosuke</a><a title="Macmillan, P." href="#footnote"><sup>3</sup></a> compiled a literary critique.</p>
<p>All members of the <a href="https://historyofjapan.co.uk/wiki/nashitsubo-no-gonin/">Nashitsubo no Gonin</a> were tasked with undertaking a scholary study of the <em>man’yōshū.<a title="Kodansha" href="#footnote"><sup>2</sup></a></em></p>
<h3>Events cited</h3>
<p>In Book 5 there is a record of a plum viewing that <a href="https://historyofjapan.co.uk/wiki/otomo-no-tabito/">Ōtomo no Tabito</a> held as well as poems written by those who participated.<a title="Kodansha" href="#footnote"><sup>2</sup></a></p>
<h3>Places Cited</h3>
<p>All three mountains that form the <a href="https://historyofjapan.co.uk/wiki/yamato-sanzan/">Yamato Sanzan</a> are seen in the <em>man’yōshū.<a title="Kodansha" href="#footnote"><sup>2</sup></a></em></p>
<h3>Kami Cited</h3>
<p>Several <a href="https://historyofjapan.co.uk/wiki/shinto/">Shinto</a> <a href="https://historyofjapan.co.uk/wiki/kami"><em>kami </em></a>find themselved mentioned in the books.</p>
<p><a href="https://historyofjapan.co.uk/wiki/nakisawame/">Nakisawame</a> in Book 2, poem 202. <a href="https://historyofjapan.co.uk/wiki/kuraokami/">Kuraokami</a> in Book 2, poem 104.<a title="Yasumaro, O." href="#footnote"><sup>5</sup></a></p>
<h3 id="footnote">Footnotes</h3>
<p>1. Miller, R. A.. (1981) “The Lost Poetic Sequence of the Priest Manzei”. Monumenta Nipponica. Vol.36 No.2 pp.133-172<br />
2. Kodansha. (1993) &#8221;Japan: An Illustrated Encyclopedia&#8221;. Tokyo: Kodansha Ltd.<br />
3. MacMillan, P. (2018) &#8221;One Hundred Poets, One Poem Each: A Treasury of Classical Japanese Verse&#8221;. St. Ives: Penguin Classics.<br />
4. Louis Frederic, translated by Kathe Roth (2002) &#8220;Japan Encyclopedia&#8221;. London: Harvard University Press.<br />
5. Yasumaro. O, translated by Gustav Heldt. (2014) &#8220;Kojiki. An Account of Ancient Matters&#8221;. New York: Columbia University Press.</p>
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<p>The post <a href="https://historyofjapan.co.uk/wiki/manyoshu/">Man’yōshū</a> appeared first on <a href="https://historyofjapan.co.uk">. A History . . of Japan . 日本歴史</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">30396</post-id>	</item>
		<item>
		<title>Kenshō</title>
		<link>https://historyofjapan.co.uk/wiki/kensho/</link>
		
		<dc:creator><![CDATA[Eli]]></dc:creator>
		<pubDate>Mon, 18 May 2020 03:22:41 +0000</pubDate>
				<guid isPermaLink="false">https://historyofjapan.co.uk/?post_type=yada_wiki&#038;p=8585</guid>

					<description><![CDATA[<p>Period: Heian Period Occupation: Poet, Monk Family: Fujiwara no Akisuke (father) Birth: c.1130 / c.1160 Death: c.1210 / c.1207 Kenshō Kenshō (顕昭) (c.1130-12101 / c.1160-12072 ) was the adopted son of Fujiwara no Akisuke and was both poet and Buddhist monk during his lifetime.12 He acted as leader of the Rokujo House of poetry for [&#8230;]</p>
<p>The post <a href="https://historyofjapan.co.uk/wiki/kensho/">Kenshō</a> appeared first on <a href="https://historyofjapan.co.uk">. A History . . of Japan . 日本歴史</a>.</p>
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	<td class="column-1"><p style="background-color:#d6ccca;text-align:center" class="has-background has-normal-font-size"><strong><em>Hear about Kenshō on Episode <a href="https://historyofjapan.co.uk/2020/04/03/a-brief-history-of-rice/"> 36</a> of our Podcast, the <a href="https://anchor.fm/japan-archives">Japan Archives</a>.</em></strong> <br></p></td><td class="column-2"><img data-recalc-dims="1" decoding="async" src="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2020/11/JapanArchives2.jpg?resize=150%2C150&#038;ssl=1" alt="" width="150" height="150" class="alignnone size-thumbnail wp-image-26337" srcset="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2020/11/JapanArchives2.jpg?resize=150%2C150&amp;ssl=1 150w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2020/11/JapanArchives2.jpg?resize=300%2C300&amp;ssl=1 300w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2020/11/JapanArchives2.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2020/11/JapanArchives2.jpg?resize=768%2C768&amp;ssl=1 768w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2020/11/JapanArchives2.jpg?resize=780%2C780&amp;ssl=1 780w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2020/11/JapanArchives2.jpg?w=1440&amp;ssl=1 1440w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2020/11/JapanArchives2.jpg?w=1280&amp;ssl=1 1280w" sizes="(max-width: 150px) 100vw, 150px" /></td><td class="column-3"><img data-recalc-dims="1" decoding="async" src="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2020/05/Ep.36-A-Brief-History-of-Rice.png?resize=150%2C150&#038;ssl=1" alt="" width="150" height="150" class="alignnone size-thumbnail wp-image-8386" srcset="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2020/05/Ep.36-A-Brief-History-of-Rice.png?resize=150%2C150&amp;ssl=1 150w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2020/05/Ep.36-A-Brief-History-of-Rice.png?zoom=2&amp;resize=150%2C150&amp;ssl=1 300w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2020/05/Ep.36-A-Brief-History-of-Rice.png?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w" sizes="(max-width: 150px) 100vw, 150px" /></td>
</tr>
</tbody>
</table>

<ul>
<li>Period: <a class="broken_link" href="https://historyofjapan.co.uk/wiki/heian-period">Heian Period</a></li>
<li>Occupation: <a href="https://historyofjapan.co.uk/wiki/poets/">Poet</a>, Monk</li>
<li>Family: <a href="https://historyofjapan.co.uk/wiki/fujiwara-no-akisuke/">Fujiwara no Akisuke</a> (father)</li>
<li>Birth: c.1130 / c.1160</li>
<li>Death: c.1210 / c.1207</li>
</ul>
<h3>Kenshō</h3>
<p><strong>Kenshō</strong> (顕昭) (c.1130-1210<a title="Kodansha" href="#footnote"><sup>1</sup></a> / c.1160-1207<a title="Louis Frederick" href="#footnote"><sup>2</sup></a> ) was the adopted son of <a href="https://historyofjapan.co.uk/wiki/fujiwara-no-akisuke/">Fujiwara no Akisuke</a> and was both poet and <a href="https://asiasociety.org/education/buddhism-japan">Buddhist</a> monk during his lifetime.<a title="Kodansha" href="#footnote"><sup>1</sup></a><a title="Louis Frederick" href="#footnote"><sup>2</sup></a> He acted as leader of the <a href="https://historyofjapan.co.uk/wiki/rokujo-house" class="broken_link">Rokujo House</a> of poetry for a time, was both a poet and poetry judge in poetic contests, and is known to have had dispute over poetic theory during the <a href="https://historyofjapan.co.uk/wiki/roppyakubun-uta-awase" class="broken_link"><em>roppyakubun uta awase</em></a> in 1193 with <a href="https://historyofjapan.co.uk/wiki/priest-jakuren/">Jakuren</a>.<a title="Kodansha" href="#footnote"><sup>1</sup></a></p>
<p>He compiled commentaries on the <em><a href="https://historyofjapan.co.uk/wiki/manyoshu">Man&#8217;yōshū</a>, </em><a href="https://historyofjapan.co.uk/wiki/kokinshu" class="broken_link"><em>Kokinshū</em></a> and other works and we can find 13 of his poems in the <a href="https://historyofjapan.co.uk/wiki/senzai-wakashu" class="broken_link"><em>Senzai Wakashū</em></a>.<a title="Kodansha" href="#footnote"><sup>1</sup></a><a title="Louis Frederick" href="#footnote"><sup>2</sup></a></p>
<h3 id="footnote">Footnotes</h3>
<p>1. Kodansha. (1993) &#8221;Japan: An Illustrated Encyclopedia&#8221;. Tokyo: Kodansha Ltd.<br />
2. Louis Frederic, translated by Kathe Roth (2002) &#8220;Japan Encyclopedia&#8221;. London: Harvard University Press.<br />

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]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">8585</post-id>	</item>
		<item>
		<title>Fujiwara no Akisuke</title>
		<link>https://historyofjapan.co.uk/wiki/fujiwara-no-akisuke/</link>
		
		<dc:creator><![CDATA[Eli]]></dc:creator>
		<pubDate>Sat, 07 Mar 2020 01:41:24 +0000</pubDate>
				<guid isPermaLink="false">https://historyofjapan.co.uk/?post_type=yada_wiki&#038;p=8198</guid>

					<description><![CDATA[<p>Period: Heian Period Occupation: Poet Family: Fujiwara no Akisue (father) Fujiwara no Kiyosuke (son) Kenshō (adopted son) Birth: 1090AD Death: 1155AD Fujiwara no Akisuke Fujiwara no Akisuke (藤原顕輔) was a member of the Fujiwara Clan living from 1090-1155AD. He was the son of Fujiwara no Akisue, father of Fujiwara no Kiyosuke,1 and adopted father of Kenshō34. [&#8230;]</p>
<p>The post <a href="https://historyofjapan.co.uk/wiki/fujiwara-no-akisuke/">Fujiwara no Akisuke</a> appeared first on <a href="https://historyofjapan.co.uk">. A History . . of Japan . 日本歴史</a>.</p>
]]></description>
										<content:encoded><![CDATA[<figure id="attachment_8212" aria-describedby="caption-attachment-8212" style="width: 300px" class="wp-caption alignright"><a href="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2020/03/Fujiwara-no-Akisuke.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" class="wp-image-8212 " src="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2020/03/Fujiwara-no-Akisuke.jpg?resize=300%2C418&#038;ssl=1" alt="Fujiwara no Akisuke" width="300" height="418" srcset="https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2020/03/Fujiwara-no-Akisuke.jpg?w=325&amp;ssl=1 325w, https://i0.wp.com/historyofjapan.co.uk/wp-content/uploads/2020/03/Fujiwara-no-Akisuke.jpg?resize=215%2C300&amp;ssl=1 215w" sizes="(max-width: 300px) 100vw, 300px" /></a><figcaption id="caption-attachment-8212" class="wp-caption-text">Fujiwara no Akisuke in the Ogura Hyakunin Isshu.</figcaption></figure>
<ul>
<li>Period: <a class="broken_link" href="https://historyofjapan.co.uk/wiki/heian-period">Heian Period</a></li>
<li>Occupation: <a href="https://historyofjapan.co.uk/wiki/poets/">Poet</a></li>
<li>Family: <a href="https://historyofjapan.co.uk/wiki/fujiwara-no-akisue">Fujiwara no Akisue</a> (father) <a href="https://historyofjapan.co.uk/wiki/fujiwara-no-kiyosuke/">Fujiwara no Kiyosuke</a> (son) <a href="https://historyofjapan.co.uk/wiki/kensho/">Kenshō</a> (adopted son)</li>
<li>Birth: 1090AD</li>
<li>Death: 1155AD</li>
</ul>
<h3>Fujiwara no Akisuke</h3>
<p><strong>Fujiwara no Akisuke </strong>(<span lang="ja" title="Japanese language text">藤原顕輔</span>) was a member of the <a href="https://historyofjapan.co.uk/wiki/fujiwara-clan/">Fujiwara Clan</a> living from 1090-1155AD. He was the son of <a href="https://historyofjapan.co.uk/wiki/fujiwara-no-akisue/">Fujiwara no Akisue</a>, father of <a href="https://historyofjapan.co.uk/wiki/fujiwara-no-kiyosuke/">Fujiwara no Kiyosuke</a>,<a title="Macmillan, P." href="#footnote"><sup>1</sup></a> and adopted father of <a href="https://historyofjapan.co.uk/wiki/kensho/">Kenshō</a><a title="Louis Frederick" href="#footnote"><sup>3</sup></a><a title="Kodansha" href="#footnote"><sup>4</sup></a>. He also went by the name of <strong>Rokujo Akisuke</strong> as he was a part of the <a href="https://historyofjapan.co.uk/wiki/rokujo-family" class="broken_link">Rokujo House</a> of poetry<a title="Louis Frederick" href="#footnote"><sup>3</sup></a><a title="Kodansha" href="#footnote"><sup>4</sup></a>. During his life he is said to have been close to <a href="https://historyofjapan.co.uk/wiki/minamoto-no-toshiyori" class="broken_link">Minamoto no Toshiyori</a>.</p>
<p>He inherited from his his father, his personal collection of poems, as well as a portrait of <a href="https://historyofjapan.co.uk/wiki/kakinomoto-no-hitomaro" class="broken_link">Kakinomoto no Hitomaro</a>, which his father had painted. His son Kiyosuke later inherited the painting.</p>
<p>In 1144 he was approached by the <a href="https://historyofjapan.co.uk/wiki/emperor-sutoku" class="broken_link">Emperor Sutoku</a> who commisioned him to compile the poetry anthology known as the <a href="https://historyofjapan.co.uk/wiki/shikashu"><em>Shikashū</em></a>. He finally completed this in 1151.</p>
<p>In total we can find 84 of his poems in <a href="https://historyofjapan.co.uk/wiki/imperial-anthologies" class="broken_link">Imperial Anthologies</a><a title="Macmillan, P." href="#footnote"><sup>1</sup></a>, as well as another 145 by him from his private collection known as the <a href="https://historyofjapan.co.uk/wiki/personal-poetry-collections/"><em>Akisuke shū</em></a>.<a title="Louis Frederick" href="#footnote"><sup>3</sup></a>  One of his poems (No.79) can be found in the <a href="https://historyofjapan.co.uk/wiki/ogura-hyakunin-isshu" class="broken_link"><em>Ogura Hyakuni Isshu</em></a> and goes as follows:<a title="Macmillan, P." href="#footnote"><sup>1</sup></a></p>

<table id="tablepress-162" class="tablepress tablepress-id-162">
<thead>
<tr class="row-1">
	<th class="column-1">Japanese text<a title="Suzuki, H." href="#footnote"><sup>2</sup></a><br />
</th><th class="column-2">Romanized Japanese<a title="Macmillan, P." href="#footnote"><sup>1</sup></a><br />
</th><th class="column-3">English translation<a title="Macmillan, P." href="#footnote"><sup>1</sup></a><br />
</th>
</tr>
</thead>
<tbody class="row-striping row-hover">
<tr class="row-2">
	<td class="column-1">秋風に<br />
たなびく雲の<br />
たえまより<br />
もれ出づる月の<br />
かげのさやけさ </td><td class="column-2">Akikaze ni<br />
tanabiku kumo no<br />
taema yori<br />
more-izuru tsuki no<br />
kage no sayakesa</td><td class="column-3">Autumn breezes blow<br />
long trailing clouds.<br />
Through a break,<br />
the moonlight-<br />
so clear, so bright.</td>
</tr>
</tbody>
</table>

<h3 id="footnote">Footnotes</h3>
<p>1. MacMillan, P. (2018) &#8221;One Hundred Poets, One Poem Each: A Treasury of Classical Japanese Verse&#8221;. St. Ives: Penguin Classics.<br />
2. Suzuki, H. et al. (1997) &#8221;Genshoku: Ogura Hyakunin Isshu&#8221;. Tokyo: Bun&#8217;eidō.<br />
3. Louis Frederic, translated by Kathe Roth (2002) &#8220;Japan Encyclopedia&#8221;. London: Harvard University Press.<br />
4. Kodansha. (1993) &#8221;Japan: An Illustrated Encyclopedia&#8221;. Tokyo: Kodansha Ltd.<br />

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